Auszug aus dem folgenden Kapitel 17: Suchwörter: destruct und prophe
“…The destruction of the panorama and the death of Piglhein were prophesied to occur within a period of ten years…”
Übersetzt:
„…Die Zerstörung des Panoramas und der Tod von Piglhein waren prophezeit innerhalb eines Zeitraums von zehn Jahren...“
- von Robert Laing, einem Schotten jüdischen Ursprungs, in New Zealand wohnhaft gewesen und begegnete im April 1885 im Johanniter-Hospiz in Jerusalem Bruno Piglhein in Begleitung seiner Frau und seinen Assistenten Frosch, Krieger und Reinike.
CHAPTER
XVII
LUCIDITY
IN THE FUTURE
A Phenomenon Studied by the
Society of Scientific Psychology at Munich
We
shall devote this chapter to the study of a case of lucidity in the
future, which has been scientifically ascertained and verified by the
Society of Scientific Psychology at Munich. The following is the
report of the President of this Society.
Karl du Prel left to
the Society of Scientific Psychology at Munich a document which has
been legally transmitted to me as President of this Society. It was
contained in a packet of which the superscription, seals, &c.,
are minutely described further on.
In 1892 du Prel deposited
this document in the hands of M. Wenglein, notary and councillor to
the court at Munich, who did not wish to open it himself, although he
was authorised to do so, under certain conditions, as will be seen
later. I, in my turn, left it in the office of M. Ptindter, successor
to M. Wenglein, who had died in the meantime. I went to the painter
Hubert Frosch, whose name was inscribed on the packet as holding full
powers from Baron du Prel to decide, after his death, the date for
opening the document; I wished to obtain from him certain
explanations as to the matter, of which I was quite ignorant, and to
come to an agreement with him, in any case, as to the date of
opening. M. Frosch told me that it related to some very remarkable
predictions made at Jerusalem in 1885, and which had been verified in
a surprising manner in almost every detail. A great part of those
predictions having been realised in 1891, he found occasion, through
others, to inform Baron du Prel of this affair, and the latter drew
up a statement, on his information, in order to verify such of the
predicted facts as had not yet been realised. Mme. Frosch confirmed
to me the repeated surprises which her husband had experienced, on
finding the events prophesied realised one after another ; she gave
me the details of these events, which chiefly concerned the deceased
painter Bruno Piglhein and his relations with Karl Frosch, all
corresponding perfectly with the account given by her husband. This
lady had had special reason for fixing in her memory all that her
husband had so impressively related to her, after his return from the
East, about these curious prophecies; for she herself played a part
in them which is not indicated in the documentary account made known
later. According to her husband, the prophet had predicted that she
also would become a painter, would earn high distinction, and give
lessons in painting.
M. Frosch had protested in vain against
this prediction, asserting that such a thing would never happen. At
the time when this prophecy was given M. Frosch might have been
right; but as time went on and brought its vicissitudes it
nevertheless was destined to be realised. Mme. Frosch became a
painter of flowers of some repute, under the pseudonym of Maria Nyl,
and did not lack either honours or pupils. The opening of the
document was finally fixed for November 30, 1899, at half past ten in
the morning, at the office of the notary M. Plindter. The following
is the text of the notarial memorandum relative to the opening of the
document : —
Notary's
Statement
This
day, November 30, 1899, there appeared before me, Dr. Franz Plindter
(or Pundter?), royal notary at Munich, at my office, the
undermentioned gentlemen : —
1. Ritter Eugen von Stieler,
painter, of Munich.
2. Karl Hubert Frosch, painter, of Munich.
3. Karl Albert Baur, painter, of Munich.
4. Ludwig
Deinhard, author, of Munich.
5. Martin Grief, author, of Munich.
6. Dr. Walter Bormann, author, of Munich.
These
gentlemen requested me to state by notarial document as follows : —
Dr.
Walter Bormann, in the first place, deposited a document signed by
Dr. August Ullrich, Director of the High School for Girls at
Nuremberg, and dated the 25th of this month, conferring upon him full
power to replace him at the opening of du Prel's document by the
accredited notary, and the right to act in his place as might be
necessary.
The same gentleman handed to the notary a packet
sealed with five private seals and bearing on its front the following
superscription: "Property of the Society of Scientific
Psychology at Munich. This document is to be opened at a time
determined by me. In case of my decease, M. Karl Frosch will fix the
time. It is to be opened in the presence of the persons whose seals
are affixed to the back of the packet.
Munich,
January 14, 1892.
Karl du Prel."
On
the back of the packet are affixed five different seals, each with a
signature, as follows : —
1. January
21, 1892, Karl Albert Baur, Hessesstrasse 1a.
2. Demhard,
February 12, 1892, Georgenstrasse 13, II.
3. Paul du Prel,
Herrenstrasse 13.
4. February 3, 1892, Eugen von Stieler,
Fürstenstrasse 16, II.
5. Dr. A. Ullrich, Schlossstrasse
6a, I.
The
gentlemen present mentioned at the commencement of this document
first assured themselves that the packet handed in by Dr. Bormann was
intact in every part, and, in particular, that the seals were intact;
then these same gentlemen, especially those who had signed the packet
on the back — that is to say, Karl Albert Baur, Ludwig Deinhard
and Eugen von Stieler, as well as Dr. Bormann, empowered by Dr.
August Ullrich — requested me to open the said packet in the
presence of the persons assembled, the signatories of the packet
having recognised as valid the authority given by Dr. August Ullrich
of Nuremberg to Dr. Bormann, and Baron Carl du Prel, one of the
signatories to the envelope having been declared to have died on
August 5th of this year. In conformity with the invitation given me,
I opened the envelope given me in the presence of the persons above
mentioned and drew therefrom a sheet of large-sized letter paper,
having writing on all four sides, the writing commencing as follows:
— Statement: " Munich, December 27, 1891. Today at four
o'clock in the afternoon the following gentlemen came to me,"
and ending with the words: "Perhaps again the seer purposely
remains obscure and passed over in silence the clear and distinct
vision that he may have had on this point.
Carl du Prel.
K.
Frosch, Painter.”
This document was read before the
gentlemen present, word for word, by me, the notary, in the exercise
of my duty, in accordance with their wish; then it was returned with
the envelope to Dr. Bormann. Dr. Bormann claimed a copy of the
preceding attestation, and added that in his capacity of President of
the Society of Scientific Psychology of Munich he was qualified, as
well as M. Deinhard, a member of the Executive Committee of that
Society, their claims being officially recognised, to sign this copy.
A minute to this effect was adopted and duly signed. Before signing.
Dr. Bormann again handed to the notary the document mentioned in the
preceding attestation and invited him to add to the present statement
a certified copy of the document, and to file it among the other
papers. This statement was read, adopted, and signed.
Eugen von
Stieler.
Karl H. Frosch.
Karl Albert Bauer.
Ludwig
Deinhard, member of the Executive Committee of the Society of
Scientific Psychology.
Martin Grief.
Dr. Walter
Bormann, President of the Society of Scientific Psychology.
Dr.
Pundter, royal notary.
The following is the purport of the
document in question, with the omission of some unimportant passages,
which are left out because some persons now living are there
designated, and which, moreover, contain some unrealised predictions
concerning the artist Frosch.
Karl
du Prel's Documents
Munich,
December 27, 1891. Today at four o'clock in the afternoon, MM. Martin
Grief, author; Ernest Müller, artist; and Karl Frosch, artist,
came to me. Karl Frosch related to me as follows: —
In
April 1885, I was at Jerusalem in company with the artist Bruno
Piglhein and his wife, as well as the artists Joseph Krieger and René
Reinike. We lodged at the German hospice. We were one day introduced
to an elderly gentleman, said to be a professor at Edinburgh and an
orientalist, named . . . the name is omitted in the document, because
at the time of drawing it up M. Karl Frosch had forgotten it; he was
afterwards easily able to ascertain the name at the hospice. It was
Robert Laing, born in Scotland, but not a professor at Edinburgh, as
is wrongly stated here. He was then a Fellow of Corpus Christi
College, Oxford, and perhaps the same person as a member of the
Society of Psychical Research, R. Laing, at present Professor at the
Boys' High School at Christchurch, New Zealand; he joined us at our
table. He often spoke of strange things — saying, for example,
to M. Reinike, that he had known him in a previous existence and
conversed on things relating to the transmigration of souls, so that
we regarded him with astonishment, and could not help thinking that
he was slightly deranged. One day, after the meal — I remember
very well all the circumstances of this colloquy — he said to
me: "Ah, well, 'gentlemen, your work — a panorama of
Jerusalem which we had painted conjointly — your work interests
me, and I am determined to consult the future as to your destiny, and
what will happen to you all. "You two," he said, pointing
to Piglhein and myself, "will become mortal enemies through your
work." This statement made us both laugh, but he continued :
"
And you, this affair will be your loss,"
"Mine!"
I cried.
"Not yours”, he replied, "but this
gentleman's." And he pointed to Piglhein.
"And what
will his loss be?" I asked. I expected it would be a fall of
Piglhein from his artist's trestle or something
similar.
But my interlocutor added: "The painting will be
finished; but something will happen in connection with this matter,
with this painting, and that will be your loss, Monsieur Piglhein."
Piglhein laughed and said: "Really, you are a pleasant
companion."
His wife also laughed, and wished to know at
what time this event would come to pass.
" Will the
picture be finished? " I asked.
"Yes," he
replied; "but the event will happen some years hence."
Mme. Piglhein laughing, said that after some years, twenty or
thirty perhaps, her husband would surely die.
"No,"
he replied, "if I speak of some years it means five or ten
years. It may be ten years, but it will not be longer, because I
have seen it too distinctly, and when I see a thing clearly it
happens within about ten years."
"And what will happen
to me? " I asked.
"You will paint the picture three or
four times and nothing unpleasant will happen to you."
"But
why shall we become mortal enemies?" I asked.
"Because
of this painting," he replied, "You will have to see many
countries on account of this business. I have seen the sea and a
boat, and that indicates a long voyage. You will find yourself on
this boat with two painters, I have seen that very distinctly. The
sight of these two painters struck me; they are wearing peculiar
cloaks and furlined caps such as I have never seen before either in
England or at Jerusalem. You seem to have suffered much from
sea-sickness; you are really looking ill. You will take one of your
panoramas to England, perhaps because of a proposition that will be
made to you. I see that distinctly. I see St. Paul's Cathedral in
London Avith its great dome. From this time you will have a lawsuit
because of this picture; this suit will originate in London. There
will be proceedings, and action will also be taken against you in
Germany."
"What will be the result?"
"Nothing;
the suits will have no results."
"What more will
happen to me?"
"Nothing but good."
"How
many times shall I paint the picture?" then asked M. Reinike.
"You will not even take part in its completion."
"But I wish to take part in it ; that is the purpose of my
journey to Jerusalem."
"What of that! You will not
take part in this painting."
At this moment Krieger, who
had been absent up to now, came into the room. I related to him what
had been said, and urged him to also ask for a prediction for
himself. At first he refused, because he was obliged to go out again,
but he presently asked:
"Shall I marry?"
"Yes,
but it will not be a happy marriage. It will not be long before you
are divorced." The seer urged us to write down all that he had
said. He might have said many more things, he said, but he did not
wish to continue since we were not willing to believe even what he
had already said.
"Have you heard of second-sight?" he
asked me.
"I
have heard it said that it is common in Scotland."
"Well,
I am gifted with this second-sight," remarked the seer.
I
ought to add that the seer wore on his finger a ring which had been
given to him by a Brahmin to whom he had rendered a service. When he
desired information on any subject he had only to look at this ring,
and then he saw a picture forming before him, like a dream. When it
was a town, he saw it from above, over the country. Before we parted
he again repeated to me once more that the words he had already used,
"This affair will be your loss," did not apply to both of
us, Piglhein and myself, but only to Piglhein. That was a matter of
course, he observed, since otherwise what he had prophesied could not
come true.
"In the five years that are to come," he
added, "you will suffer much unpleasantness."
"However,
I am pleased with Munich," I replied, "and I have no
intention of leaving that city."
"So many unpleasant
things will happen that Munich will cease to be so congenial to you.
But after that you will be happier. Your life will be quiet, and you
will reach a good age."
Among the events predicted, the
following have since come to pass. I really made long journeys in
connection with this picture, particularly to America. My colleagues,
two German artists, who came from America over this matter, and
invited me to make this voyage, had made for them in Munich a kind of
shepherd cloaks with capes, like the peasants of the good old times
used to wear, furnished with large metal clasps, almost as big as
plates. They made a sensation everywhere, and also on board ship. I
was really sea-sick on the voyage, and was ill for six days.
The
artist Reinike did not, in fact, work on the picture. I painted it
four times. One of the copies came from America to London under my
name, but against my wish and desire. In connection with this a
lawsuit was commenced at London. The picture was confiscated because
M. Haider (who was the owner of it) had already let out the picture
to an English contractor, who, by virtue of this fact, issued
proceedings against the American company I was also prosecuted at the
Munich court for infringement. But as the seer had said, it came to
nothing. The day before the trial, when I was at dinner, I received a
letter from my lawyer, Dr. Vimmer, telling me that the trial would
not take place, because the plaintiff had abandoned the suit at the
last moment. He therefore had to bear the heavy cost of the
proceedings.
Piglhein and myself were set at variance on this
occasion. As to the artist Krieger, he has married since then, but
has entered an action for divorce against his wife. (On this point
see the statement below made by M. Krieger. Shortly afterwards the
divorce was granted, as Mr. Laing had predicted.)
I will also
add that the statement of the seer concerning Piglhein's loss must
not be understood in a pecuniary sense. It is sufficient to recall
the question that Mme. Piglhein put on this point (as has been given
above, with the seer's reply).
As in the course of these later
years a great part of the prophecies in question have been realised,
contrary to our expectation, I went, on the proposition of M. Martin
Grief, in company with the gentlemen named above, to Dr. Carl du Prel
who — in order to establish documentary evidence in favour of
the reality of second-sight, in the event of the remainder of the
prophecies being realised — wrote out the present statement,
the accuracy of which I certify by my signature, with this
reservation, that having reported the facts from memory I cannot
guarantee the literal exactness of the conversations held.
K. Frosch, Artist.
Addition
made by Dr. Carl du Prel
That
part of the prophecy which concerns M. Piglhein is couched in
abstract terms, whilst the second-sight visions are always concrete.
I conclude from this that this part of the prophecy has another
source than the others, and may not be realised; perhaps agam the
seer purposely remains obscure and passed over in silence the clear
and distinct vision that he may have had on this point.
Carl
du Prel.
The document ends here. After the statement was
drawn up in December 1891, and the packet had been secured with seals
affixed by four persons besides Dr. du Prel, and the document
deposited with the notary in 1892, the following facts occurred : —
During the night of April 27th to 28th, 1892, a fire at Vienna
destroyed in a moment this picture of Jerusalem with the crucifixion
of Christ, which had entailed so much labour, executed with the
richest resources of art, so universally known and admired, and which
Piglhein had executed with the assistance of the artists Karl Frosch
and Josef Krieger. Bruno Piglhein braced himself against this stroke
of fortune and conceived the idea of painting the picture again, of
reproducing it more beautifully than ever, thus setting destiny at
defiance. This desire was not realised, and the poor artist died of
heart-disease at
Munich on July 15, 1894. (He was born at Hamburg on February 19, 1848.)
But
is it permissible to say that there was an agreement between these
events and the prophecy of Robert Laing? After the death of Piglhein
in 1894, Carl du Prel did not open the document, whether it was
because his engagements had caused him to forget its existence, or
whether he had not thought that these subsequent events formed a
realisation of the prophecy. This was not the way in which the artist
Frosch looked upon it; as he told me, after the destruction of the
picture as well as on the death of Piglhein, which happened nine
years after the prophecy, therefore within
the approximate limit of ten years which was fixed,
he vividly recalled the seer and wished to know if du Prel had opened
the document in order to set before the world the realisation of this
prophecy. Meeting Baron du Prel in the street one day he felt
impelled, he said, to speak to him and remind him of the facts; but
he did nothing. It is greatly to be regretted that the prophecies
were not committed to writing in 1885, as Robert Laing had asked. If
what was written by du Prel, according to the statements of M. Frosch
at the end of 1894, is compared with the events which afterwards
occurred, it cannot be said that there is an absolute realisation of
the prophecy, although there is an almost complete agreement between
the statement and the facts. M. Frosch thought that the destruction
of the picture was mentioned in the statement of the predictions, and
he formally declared this to me before the document was opened on
November 30th. As the document after being opened did not bear out
his statement, he declared he was convinced he had told the Baron of
this fact, and that no doubt du Prel had omitted to insert it in the
statement, and that he himself, on reading it through too quickly,
had failed to notice the omission, as well as some other slight
errors.
In a matter of verification of prophecies it is evident
that the literal accuracy is necessary, and that all delay in drawing
them up, by which their freshness is lost, is a misfortune. When the
hearers of a prophecy fail to write down immediately what they have
heard and await its realisation in order to pass judgment on it, two
possibilities are presented to strict criticism : —
1. As
the more or less enigmatical and hidden allusions concerning a
prophesied fact can only be cleared up after its realisation, the
true meaning of the prophecy is only revealed at that moment, and the
words which relate to it also only come to the memory at the time
when their explanation appears clearly and distinctly.
2.
Imagination may, as the realisations are perceived, pervert the
remembrance unwittingly and unconsciously, and give to the original
prophecy, by altering it, however slightly, a form which makes it
harmonise exactly with the event, as soon as the latter presents some
points of agreement with the sense of the prophecy. It is scarcely
possible that the artist Frosch did speak to the Baron du Prel of the
predicted destruction of the picture, because, if such had been the
case, du Prel would probably not have used the indefinite expressions
contained in the document: "The painting will be finished; but
something will happen in connection with this matter, with this
painting, and that will be your loss, Monsieur Piglhein."
It
would rather seem that the exact words of the prophet were not
remembered by Frosch, which would not be astonishing after an
interval of six years and a half, and that for this reason he had
given to the prophecy this indefinite form, which did not completely
miss its true meaning even if it did not fully express it. Moreover,
M. Frosch in all sincerity declared himself, at the end of the
document, that he could not guarantee the literal accuracy of the
conversations which took place. If Laing had predicted the
destruction of the picture, such a prophecy, some would think, would
have impressed a painter destined to take so important a part in its
construction too vividly for him to have forgotten it.
This objection is not without weight; but it is not final, because all of us, as years go by, gain this psychlogical experience, that even facts and events which have acted most powerfully on our mind and heart disappear from our memory, until the moment perhaps when some powerful stimulus awakens these emotions which were apparently effaced and brings them again to life.
Thus
we find that the recollection may be effaced of psychical facts much
more important than more or less imaginary predictions. If in
reality, at the moment of the drawing up of the document, the
prediction of the destruction of the picture was no longer present to
M. Frosch's memory, nothing is more natural than that it should be
revived in his mind after the fire. From that the thought that he had
informed du Prel of this prophecy is only a step. Be that as it may,
here is the declaration of M. Karl Frosch as it was drawn up by me in
his presence.
" M. Karl Hubert Frosch, artist, of Munich,
affirms that he clearly recollects that Mr. Laing told him of the
destruction of the picture, and that the account which he gave to
Baron du Prel made mention of this fact. He adds that he, moreover,
asked Mr, Laing in what way the picture would be destroyed, to which
he replied that he had a vision of it but had forgotten this detail.
"The prophet spoke German well, as can also be attested by
M. Boyer, the proprietor of the hospice at Jerusalem.
Karl
H. Frosch."
"Munich, December 6, 1899."
The
shrewd remark added to the document by du Prel concerning the
abstract nature of the greater part of predictions of this character
would not apply here, in case the seer had forgotten the vision, as
M. Frosch says in his declaration, and had only announced the fact of
the destruction. The artist Josef Krieger has also personally given
his testimony, in the same way as M. Frosch, according to the
recollections which remained with him : —
" The
artist Joseph Krieger affirms the following with regard to the
prophecies made at Jerusalem in 1885, in his presence, by the
Scotchman, Robert Laing. The destruction of the panorama and the
death of Piglhein were prophesied to occur within a period of ten
years. Further, M. Krieger recollects that, according to the
statement of the prophet, Piglhein would only paint the picture once
whilst M. Frosch would paint it several times. He also recollects the
elegant gesture Piglhein made by touching the front of his head,
indicating that this gentleman was not in his right mind. He likewise
understood that Reinike, according to the prophet, would not
collaborate in the work. Finally, he confirms the prediction made
with regard to himself, concerning his marriage, which was precisely
realised.
"He related that Mr. Laing wore a ring at which it was his habit to look when he wished to obtain visions.
"M.
Krieger again met the prophet two years afterwards, when travelling
in Norway. He passed him in a carriage and was recognised by him, but
no words were exchanged.
"M. Krieger did not hear it stated
that MM. Frosch and Piglhein would become mortal enemies, and that
there would be a lawsuit, because he was obliged to be absent on an
urgent matter at the time when this was said.
Josef
Krieger."
"Munich, December 6, 1899."
Mme.
Nyl Frosch affirms that, according to the statements which her
husband made to her, in the first place the seer had formally
prophesied that both the picture and Piglhein would perish. Moreover,
what could be the fact "in relation to this matter, to this
picture," which was to bring about the loss of Piglhein? Besides
the lawsuit and the destruction of the picture itself, it is
difficult to imagine other possibilities. Moreover, another lawsuit
of several years' duration followed the burning of the panorama,
because the Austrian insurance company, the Phoenix, refused to pay
the sum fixed, which amounted to 150,000 marks. They ended by paying;
making only a small deduction. We do not know whether in reference to
this Piglhein had any difficulties with the owner of the picture.
The confirmation of the prediction relative to the destruction
of the panorama would have had a very special importance as regards
the exact verification of Laing's prophecies, because the death of
Piglhein, within the interval of ten years fixed by the seer, is of
no great value, since many persons die in a similar lapse of time. At
all events, it is of importance as far as it does not contradict the
prediction; therefore it does not annul it, without, however,
verifying it.
That
this sudden destruction of his great picture must have deeply
affected the artist, who was already suffering from heart-disease,
and might accelerate his death, is not an improbable hypothesis. It
is almost certain, from the psychological experience which we have as
to the artistic temperament. This is confirmed by Captain Halder, the
former proprietor of the panorama, who wrote me from Burghausen, near
Salzach.
"The loss of this, his largest work, deeply
affected him. When I sent to his studio (Landwehrstrasse 23, on the
morning of the 28th, the unfortunate telegram, immediately before my
departure for Vienna, he embraced me, and we both wept like two
children. Then he said to me: 'The wooden pavilion at 45
Goethestrasse is still standing; send immediately to stop its
demolition; we will paint a new Calvary, and it will be better than
the last one.' He wanted to do it for 80,000 marks (he had received
150,000 marks for the first picture). I made them stop the demolition
at once, and went to Vienna, then to my partner, M. Hotop, at
Dresden. I begged him to contract for the new picture, but he firmly
refused."
The strong desire that Piglhein had to recommence
his work proved of itself what a blow this destruction of his work
had been to him. We must add to this the influence of the irritating
lawsuit before the destruction of the picture, and which was equally
"in relation to this matter, to this picture," as stated in
the document. It is possible that the seer may have used this exact
expression to indicate the lawsuit in question, and that he had also
predicted the destruction of the work.
I also thought it my duty
to seek for the evidence of the two other persons living at Munich,
whose presence at Laing's prophecies is indicated in the document.
(Professor) Piglhein's wife, whom I visited in company of Dr.
Fealk Schupp, Vice-president of the Society of Scientific Psychology
of Munich, could not remember either the prophecy or the prophet; but
she was of opinion that since MM. Frosch and Krieger guaranteed the
reality of the fact, she had no reason to doubt its accuracy. She was
certain that if any one had spoken to her husband in her presence of
his approaching death, he being very excitable by reason of his heart
complaint, she would have laughed heartily in order to efface this
unpleasant impression. The very remarkable thing is that Mme.
Piglhein is specially mentioned twice in the document as laughing at
the doleful words of the prophet, which is in favour of the sincerity
of her present statement as well as that of the document.
The
artist Rene Reinike could not remember the prophecies, but he
remembered Robert Laing very well. He stated that, young as he was,
these singular events would not have had the slightest attraction for
him, and that the observations of Robert Laing, who wished to assign
to him, amongst other things, a previous existence among the Arabs,
had simply seemed absurd to him.
In order to give greater force
and evidence to the preceding events, and to offer fresh proofs of
the good memory of the artists Frosch and Krieger, I asked these
gentlemen to write me a description of Robert Laing, and the place
where the prophecy was made. M. Karl Frosch very willingly consented.
As to the appearance of the seer, he wrote with great sincerity: "I
only recall that he was of medium height, with greyish hair, with a
sharp look, and as he walked he bent his body slightly forward."
As M. Frosch was specially engaged upon decorative painting, he
was able, with a sure hand, to draw a sketch of the dining-room, of
antique aspect, with a wide and high- vaulted roof, of the hospice,
which was once one of the residences of the Templars.
The artist
Krieger, although he was quite willing to accede to my request, has
not yet been able to do so, as he was suddenly called away to a
distance.
Lastly,
I wrote to Mr. Laing at Christchurch, New Zealand, asking him to give
me his evidence should he be the same person as Robert Laing. I told
him nothing as to the events which had occurred and to which the
prophecies related, nor as to the tenor of these prophecies; I merely
asked him to let me know what he still remembered of the predictions
he had made. Although seers quickly forget the visions they have had,
it is permissible to think that Robert Laing would at least have
partly preserved the recollection, if not of his visions at that
time, at least of the statements ho had made to those concerned. As
soon as I receive a reply I shall at once publish it.
For the
explanation
of this prevision of the future, we may profitably consult the
profound considerations on this subject in the second volume of du
Prel's work on the Discovery of the Soul (Leipzig, 1885). With regard
to the part the Brahmin's ring played in the visions, we may consider
that to be purely auto-suggestive. The above-mentioned case does not
unfortunately present the absolute evidential guarantees required for
a purely critical examination. Nevertheless, the knowledge and the
discussion of the events that are reported seem to us calculated to
awaken the interest which the study of so delicate a problem as
prophecy deserves, and we may learn from it that all statements in
reference to such matters ought to be drawn up at the proper time and
with scrupulous accuracy.
Dr.
W. Bormann.
(Extract from Psych. Studien, April
and May. 1900)
After
having studied this very curious and well attested case of lucidity,
wishing to have some more precise information as to the personality
of the subject himself, and hoping to obtain from him some new
experiences, I asked one of the English correspondents of the Societe
Universelle d'Etudes Psychiques to find Robert Laing and put me into
communication with him. The following are the particulars I received
of this person who is endowed with so strange a faculty ; —
R. L. is a most curious person. He is sixty-two years of age,
and a bachelor. He was shut up for some years as a madman, and
willingly speaks of what he saw and the tricks he played while he was
in the asylum.
He
has changed his name, has travelled considerably; has resided for a
number of years in the East, lived amongst the Brahmins, the Moravian
Brothers, in monasteries, in German universities, in the Latin
quarter, &c. He attaches great importance to numbers, letters,
forms, and colours: where we simply speak of a coincidence, he sees
an allegory.
He has read much of Rabbinical and Jewish writings.
He has not only the head of the Wandering Jew — bald head and
long white beard — but also, he states that he has Jewish blood
in his veins. He claims to have had, at certain times in his life,
the recollection, the clear vision of his previous incarnations,
except, he says, for one link which is missing in the seventeenth
century. He also believes that he profits by the experience and
knowledge he gained during his previous existence.
He possesses
a very fine collection of rings, seals, mysterious emblems,
monograms, &c.
When he drinks wine he puts an enormous ring
at the bottom of his glass.
This gentleman, who has read all the
mystics, has a horror of prearranged and scientifically conducted
experiments. He therefore refuses, as he says he has always done with
Myers and others, to furnish material proofs of the Beyond and of the
mysterious powers which have sometimes acted in him, and which he
declares he cannot explain, although he has left a confession which
is not to be opened until twenty years after his death.
Passive
expectancy is his usual attitude, and he has no wish to act with a
view to forcmg his powers or the forces latent in him: when he feels
himself in intimate communion with the universal mind, he sees
himself an instrument, a witness of the Unknown. All that he has ever
been able to do in the way of reading the past, predicting the
future, &c., belongs to the domain of spiritualism and not of
science. He speaks of finding himself on another plane of inquiry and
perception, almost in another condition of existence, with which
scientific methods have nothing to do, and in fact it is only by the
voice of his intuitions that he claims to walk towards the truth, the
ultimate reality.
Such is the person whose expressions I have
respected. He seems to have a strange mixture of Oriental, Jewish,
primitive, animistic, and rationalistic Christian opinions and
doctrines.
You, like myself, will regret that I have not been
able to obtain from him any decisive experience.
V.
Leuliette,
Corresponding Member of the Societé
Universelle d'Ètudes Psychiques.
Our
correspondent's report is very complete, as will be seen, and gives a
very clear idea of this strange personality. It is, after all,
mysticism which dominates, whether it be all sincere or mixed with a
certain stage effect, as is quite possible.
The most regrettable
fact is that we are not able to produce any new experiments in
conditions we could ourselves arrange. But we have other subjects
possessing this faculty of lucidity in regard to the future, with
whom we propose to arrange some methodical experiments. This question
is therefore left for study, and we may expect definite results from
strictly scientific experiments.
_________O_________